The 1960s Portal
The 1960s became synonymous with the new, radical, and subversive events and trends of the period. In Africa the 1960s was a period of radical political change as 32 countries gained independence from their European colonial rulers. Some commentators have seen in this era a classical Jungian nightmare cycle, where a rigid culture, unable to contain the demands for greater individual freedom, broke free of the social constraints of the previous age through extreme deviation from the norm. Christopher Booker charts the rise, success, fall/nightmare and explosion in the London scene of the 1960s. However, this alone does not explain the mass nature of the phenomenon. Several nations such as the U.S., France, Germany and Britain turned to the left in the early- and mid-1960s. In the United States, John F. Kennedy, a Keynesian and staunch anti-communist, pushed for social reforms. His assassination in 1963 was a stunning shock. Liberal reforms were finally passed under Lyndon B. Johnson including civil rights for African Americans and healthcare for the elderly and the poor. Despite his large-scale Great Society programs, Johnson was increasingly reviled by the New Left at home and abroad. The heavy-handed American role in the Vietnam War outraged student protestors across the globe, as they found peasant rebellion typified by Ho Chi Minh and Che Guevara more appealing. Italy formed its first left-of-center government in March 1962 with a coalition of Christian Democrats, Social Democrats, and moderate Republicans. Socialists joined the ruling block in December 1963. In Britain, the Labour Party gained power in 1964. In Brazil, João Goulart became president after Jânio Quadros resigned. This is a Featured article, which represents some of the best content on English Wikipedia..
On 27 February 1962, the Independence Palace in Saigon, South Vietnam, was bombed by two dissident Republic of Vietnam Air Force pilots, Second Lieutenant Nguyễn Văn Cử and First Lieutenant Phạm Phú Quốc. The pilots targeted the building, the official residence of the President of South Vietnam, with the aim of assassinating President Ngô Đình Diệm and his immediate family, who acted as political advisors. The pilots later said they attempted the assassination in response to Diệm's autocratic rule, in which he focused more on remaining in power than on confronting the Viet Cong (VC), a Marxist–Leninist guerilla army who were threatening to overthrow the South Vietnamese government. Cử and Quốc hoped that the airstrike would expose Diệm's vulnerability and trigger a general uprising, but this failed to materialize. (Full article...) This is a Good article, an article that meets a core set of high editorial standards.
Dr. No is a 1962 spy film and the first film in the James Bond series, starring Sean Connery as the fictional MI6 agent James Bond. Co-starring Ursula Andress, Joseph Wiseman and Jack Lord, it was directed by Terence Young and adapted by Richard Maibaum, Johanna Harwood, and Berkely Mather from the 1958 novel by Ian Fleming. The film was produced by Harry Saltzman and Albert R. Broccoli of Eon Productions, a partnership that continued until 1975. In the film, James Bond is sent to Jamaica to investigate the disappearance of a fellow British agent. The trail leads him to the underground base of Dr. No, who is plotting to disrupt an early American space launch from Cape Canaveral with a radio beam weapon. Although it was the first of the Bond books to be made into a film, Dr. No was the sixth of Fleming's series, beginning with Casino Royale. The film makes a few references to threads from earlier books, and later books in the series as well, such as the criminal organisation SPECTRE, which was not introduced until the 1961 novel Thunderball. Produced on a low budget, Dr. No was released by United Artists on 5 October 1962 and was a financial success. While the film received a mixed critical reaction upon release, it has gained a reputation over time as one of the series' best instalments. Dr. No also launched a genre of secret agent films that flourished in the 1960s. The film spawned a comic book adaptation and soundtrack album as part of its promotion and marketing. (Full article...) Selected picture -Lyndon B. Johnson taking the U.S. Presidential Oath of Office on Air Force One following the assassination of John F. Kennedy in Dallas on November 22, 1963. He was sworn in by Judge Sarah T. Hughes, making him the first President sworn in by a woman. Johnson was not sworn using a Bible; none could be found aboard the plane. A Roman Catholic Missal was discovered in Kennedy's desk, and this book was used during the swearing-in ceremony.
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"Hey Jude" is a song by the English rock band the Beatles that was released as a non-album single in August 1968. It was written by Paul McCartney and credited to the Lennon–McCartney partnership. The single was the Beatles' first release on their Apple record label and one of the "First Four" singles by Apple's roster of artists, marking the label's public launch. "Hey Jude" was a number-one hit in many countries around the world and became the year's top-selling single in the UK, the US, Australia and Canada. Its nine-week run at number one on the Billboard Hot 100 tied the all-time record in 1968 for the longest run at the top of the US charts, a record it held for nine years. It has sold approximately eight million copies and is frequently included on music critics' lists of the greatest songs of all time. The writing and recording of "Hey Jude" coincided with a period of upheaval in the Beatles. The ballad evolved from "Hey Jules", a song McCartney wrote to comfort John Lennon's young son Julian Lennon, after Lennon had left his wife Cynthia Lennon for the Japanese artist Yoko Ono. The lyrics espouse a positive outlook on a sad situation, while also encouraging "Jude" to pursue his opportunities to find love. After the fourth verse, the song shifts to a coda featuring a "Na-na-na na" refrain that lasts for over four minutes. (Full article...) This is a Good article, an article that meets a core set of high editorial standards.
Keith John Moon (23 August 1946 – 7 September 1978) was an English musician who was the drummer for the rock band the Who. Regarded as one of the greatest drummers in the history of rock music, he was noted for his unique style of playing and his eccentric, self-destructive behaviour. Moon grew up in Wembley and took up the drums during the early 1960s. After playing with a local band, the Beachcombers, he joined the Who in 1964 before they recorded their first single. Moon was recognised for his drumming style, which emphasised tom-toms, cymbal crashes, and drum fills. Throughout his tenure with the Who, his drum kit steadily grew in size, and (along with Ginger Baker) he has been credited as one of the earliest rock drummers to regularly employ double bass drums in his setup. Moon occasionally collaborated with other musicians and later appeared in films, but considered playing in the Who his primary occupation, and remained a member of the band until his death. In addition to his talent as a drummer, Moon developed a reputation for smashing his kit on stage and destroying hotel rooms on tour. He was fascinated with blowing up toilets with cherry bombs or dynamite, and destroying television sets. Moon also enjoyed touring and socialising, and became bored and restless when the Who were inactive. His 21st birthday party in Flint, Michigan, has been cited as a notorious example of decadent behaviour by rock groups. (Full article...) Selected article -The counterculture of the 1960s was an anti-establishment cultural phenomenon and political movement that developed in the Western world during the mid-20th century. It began in the mid-1960s and continued through the early 1970s. It is often synonymous with cultural liberalism and with the various social changes of the decade. The effects of the movement have been ongoing to the present day. The aggregate movement gained momentum as the civil rights movement in the United States had made significant progress, such as the Voting Rights Act of 1965, and with the intensification of the Vietnam War that same year, it became revolutionary to some. As the movement progressed, widespread social tensions also developed concerning other issues, and tended to flow along generational lines regarding respect for the individual, human sexuality, women's rights, traditional modes of authority, rights of people of color, end of racial segregation, experimentation with psychoactive drugs, and differing interpretations of the American Dream. Many key movements related to these issues were born or advanced within the counterculture of the 1960s. (Full article...) More Did you know (auto generated)
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